Roma XL, curated by Sascha Hastings, designed by Jason McMillan, at the Italian Institute of Culture (October 16 - November 1, 2019)
Read MoreKitchener Waterloo Art Gallery
Student lead for Civic District Charette with the Kitchener Waterloo Art Gallery (June 7-8, 2019)
Questioning the _
Questioning the _: Projects Review 2018 publication launching at the OAA Annual Conference (May 24, 2018)
Read MoreTom Sutherland Design Residency
DIALOG Design Residency in honour of Tom Sutherland 2018 at DIALOG Edmonton (February 2018)
Adapting Heritage
Fuelling Outports presented by Prof. Lola Sheppard at Adapting Heritage Conference in St. Johns, NFLD (October 2017)
Future Legacies
Fuelling Outports featured in Site Magazine's Future Legacies Exhibition and SITE Magazine vol. 37 (September 2017)
Seoul Biennale x Lateral Office
States of Disassembly for Lateral Office exhibited at the Seoul Biennale of Architecture and Urbanism (September 2017)
Birsay Station
A Tale of Two Lodges Between Land and Water
The coast is wild. It is layers of intensities, speeds and latent energies coalesce in the narrow territory between land and water. Ebb and flow, erosion and sedimentation, calm and tempest. It is across these gradients of energy that we experience the coast: the draw of the edge and the necessity of retreat. This migration to and from the sea that has defined life on the Orkney islands condensed in the dual nature of the lodge on the Brough of Birsay.
Birsay Station amplifies the sensible and the latent in the coastal condition. The Inner Lodge is stable and familiar. Warm and solid, the weather outside is viewed through framed views of the sea and the sky. The collective areas are centred around the warm spaces of the mechanical room, kitchen and hearth, with views out to the landscape and the Outer Lodge. The Outer Lodge walks across the layers of the coast, a ghostly familiar which the meteorological and climatic phenomena of the site act on and around. It challenges our confrontation of the remote as sublime by allowing the residents of the lodge to establish and intimacy to the weather and the tides.
While the Inner Lodge is embedded into the landscape, the formal familiarity of the outer lodge to Orkney architecture is weathered by the effects of the edge, rather than standing as heroic architecture against the landscape. Here, intimate to the wild, travelers can convalesce, artists and scientists can explore the landscape, its ecosystems and climate.
On the coast, the duality of the project frames human experience of the coast, crossing the gradient from the most intimate human moments deep inside the inner lodge to the openness and precarious character of the edge.
Superposition
Mending the Periphery exhibited in Superposition: Projects Review 2017 at Design at Riverside (April 17 - May 21, 2017)
Mending the Periphery
Delaminating the Arrival City
Project team: Anna Longrigg, Jason McMillan
At the periphery of Rome, modern suburbs dissolve into agricultural landscapes with the staccato of ancient ruins rising from the landscape. The Parco degli Acquedotti is no exception, where the ancient aqueducts mark a path from the Alban hills into the city centre. However what this produces is a fragmented edge condition of the city, often disconnected from the historical centre. This, however, is where Rome is at its most open.
The Roman periphery has more recently become a site of arrival, one of the many sites across Europe where refugees and new migrants find space in the gaps of the city, but often away from the services and employment available in the centre.
Our proposal seeks to unpack the complex edge condition into a complex of public spaces, connected by a new urban edge on the park. We began by uncovering the ruins on the site to create a sequence of fora, each bordered on three sides by social housing and a monumental arcade of market and commercial space. The fourth side remains open to the landscape of the park, bounded by the ancient aqueduct the runs through the park.
The new arcade is operates like an extended porch, a public threshold between the established neighbourhood and the arrival city.
Living on the Edge
The aqueducts were conceived and constructed at the scale of the city, and as the city has grown out to meet the aqueducts, their permanence has molded the urban fabric. The fragments of the Aquae Claudiastill exist at a monumental scale, however between the fragments, the city has incoherently expanded into the void. The scale of the graft is at the urban scale, at the scale of the city. The graft mends the Acquae Claudia and the periphery, giving coherent form to the spaces around it. In the voids of the Acquae Claudia is the marginal space of the city, where the marginalized have made their homes. These unplanned neighbourhoods have been left on the edge, without a plan and disconnected form the city. Mending the Acquae Claudia frames these neighbourhoods as being inside the formal city, not as slums at the edge.
This segment of the project formalizes the open space at the edge of the city, which is at present only bounded on three of its four sides. On the fourth, it melts back into the informal fabric of the neighbourhood. It is in the unformed, marginal space where we construct the ‘other’, the transient, the migrant, the destitute. The encounter is always washed with the idea of ‘the other’. ON THE EDGE, the space of encounter is not in the margin, but in the interstitial zone. The relationship of the resident stumbling into the transient is inverted, giving the transient a refuge from the public sphere. In section, a gradient of public visibility to private repose.
Bearing
Fuelling Outports exhibited in Bearing: Projects Review 2016 at Design at Riverside (April 18 - May 21, 2016)
Fuelling Outports II
Port Union Fishery Renewal
Project team: Anna Longrigg, Jason McMillan
The large scale boom and bust economies in Newfoundland (fish, oil and tourism) are hugely problematic for the semi-remote outport, communities. These small towns and villages find themselves subjected to the long-term instability of economic mono-cultures. All three resources which have defined the Newfoundland and Labrador economy are contingent on a finite resource and the trends of global markets.
Following the collapse of the cod fishery in 1992, the future of the outports have become precarious. Lack of economic opportunity has led a generation away from home, causing many towns to shrink and in some cases close down. The government moratorium on the fishery also left a stock of industrial scale processing plants that had served the fishing fleet. The generic character of these buildings present an opportunity: a series of simple structures and large spaces at the heart of the towns that can begin to build diverse economies and build resilience on the island.
We Our appropriation of the fishery will create a regional hub for food security and community life, subverting generalization while generating valuable bi-products and diversified micro-economies. The fishing plant is a megalith relative to the town, and our interventions preserve the industrial ghost while subverting and dividing its presence on the site.
The complex of buildings that comprise the plant are on another scale to anything else in the town. To address the size of the project, we developed a phasing strategy for the building that would tie the building project to the regional strategy. For example, the first phase would include the installation of the biogas power plant, which is the most capital intensive portion of the building, but also the spine of the project, connecting the site to waste and energy flows in the region.
The second portion of the project is to begin renovating the building envelope into greenhouse space, workshops, artists studios and community spaces. These spaces can be constructed as the building envelope is sequentially renovated. Resources in communities are often limited, and the project can be slowly expanded. Many current projects and initiatives we encountered on the island were dependent on grants and subsidies, and so expansions are always contingent on the needs for space and the means for construction become available. We propose constructing a work shop, which can serve ongoing renovation projects in the community, and be used to fit out the interior of the plant. The remaining spaces and outbuildings will can be incrementally renovated and re-used on the time scale of decades.
Fuelling Outports I
Newfoundland Forays
Project team: Anna Longrigg, Jason McMillan
The large scale boom and bust economies of fish, oil and tourism are hugely problematic for outports, which fall victim to economic mono-cultures. All three are resource based economies, who’s value is contingent on sweeping global trends, external to Newfoundland. Paradoxically, the continued function of outports, and the potential for growth demands centralization and large scale thinking, which runs against the intensely local cultures of the towns. The sharing of resources is a necessity for the survival of the declining populations.
The abandoned fisheries are relics of not only great prosperity, but also the great failure of mega-economies in these towns. Our appropriation of the fishery will create a regional hub for food security and community life, subverting generalization while generating valuable bi-products and diversified micro-economies. The fishing plant is a megalith relative to the towns, and the architecture subverts and divides its presence on the site.
Fueling Outports adds resiliency directly to electricity, food and waste networks in the region. Indirectly, cultural exchange and community building are products of the interaction of each node with its respective town, and amongst the network of nodes.
The cast of characters tied together are diverse and vast. At the largest scale, the projects conception is deeply tied to the constellation of governments and government agencies which input support into the island. Grant organizations such as ACOA and non-profit partners in the Food Security Network and Healthy Corner Stores will be key players.
The project through both its phased conception and operation as a community enterprise, welcomes the local culture to invade the site. The community has a strong fishing culture despite its recent setbacks, and its desire to engage youth are parts of the cultural growth which the project encourages.
The waterfronts of outports have always been about the processing of resources and labour. Rather than convert the site into a post-industrial park, Fueling Outports brings community and economic activity to where it has always been - between land and water.
The nodes generate intra-regional activity, while the Port Union Fishery, where the cultural and the infrastructural are combined reaches into a constellation of stakeholders above the project. It funnels energy (money, electricity, waste, culture) and distributes it into micro-economies and cultural growth, in an attempt to reconcile the need for centralization while growing the intensely local outport.
Form and Flux
Strata City and Indigenous Ecosystems exhibited at Form and Flux: Projects Review 2015 at Design at Riverside (April 20, 2015 - May 16, 2015)
Strata City
Exhibited at 'FORM AND FLUX: Projects Review 2015' at Design at Riverside
Liberty village stands at the edge of Toronto’s increasingly dense downtown core, and will be intensified from it’s current small scale industrial uses. To the east of the site is an ever expanding field of point towers, while to the west exists low industrial buildings which are now adopted by Toronto’s creative class.
The strategy of STRATA CITY is adopted from the existing city fabric in the historic quarters of Toronto. The emphasis of circulation hierarchies throughout the site sets the framework for the massing strategy of six narrow slab buildings. The tower sits on the eastern edge, introducing a new level of density to the existing fabric of one to seven floors, while the low-rise slabs are placed to the west, relieving the corner which is surrounded by condominium towers.
The buildings maintain the porosity of the built fabric towards Lake Ontario, allowing the public to filter through the site and encourage further development towards the waters edge.